Matthew Sweet’s Sound of Cinema 4gg1e

From the new Zendaya film "Challengers", to "Eternal Sunshine of a Spotless Mind", every breakup brings its own challenges. Matthew Sweet brings the ice cream and a shoulder to cry on for the films that tackle the subject of exes head on.

With the release of the biopic about Amy Winehouse, Back to Black, Matthew Sweet explores the stories of lives that have been told on the silver screen.

The Sci-fi sequel Dune 2 is one of the most hotly awaited films of the decade. As part of the build-up to tomorrow's Sound of Cinema Day, which anticipates the Academy Awards celebrations, Matthew Sweet talks music with Dune's extraordinary and brilliant French-Canadian director, Denis Villeneuve.

The American composer of TV's Bridgerton, The Green Book, Chevalier and King Richard, Kris Bowers, s Matthew Sweet to talk about his music for the remake of The Color Purple and Origin in a look back on his screen career to date.

Matthew Sweet musters all his resourcefulness to bring us the music of the best modern survival films as Jodie Comer tackles rising water and raising a child in The End We Start From. Matthew is ed by the composer of the film's score, Anna Meredith, who talks about her experiences of working in film. Also in the programme, music from Life of Pi, The Poseidon Adventure, Gravity, The Martian, 127 Hours, 1917, The Day After Tomorrow, and the Classic Score of the Week - Miklos Rosza's The World The Flesh And The Devil.

Matthew Sweet reflects on film music which revels in the history and culture of Scotland.

Matthew Sweet explores the music of Hammer Horrors and other films made by the eponymous British production company. Founded in 1934 the company acquired the film rights to BBC radio series such as Dick Barton: Special Agent before going on to launch its iconic Horror series in the mid-fifties with hits including The Curse of Frankenstein, Dracula, and The Mummy. Featuring horror scores by composers James Bernard, Tristram Cary, and Benjamin Frankel, as well as music from Hammer's highly successful comedy films and only space western...

Matthew Sweet explores the music of Hammer Horrors and other films made by the eponymous British production company. Founded in 1934 the company acquired the film rights to BBC radio series such as Dick Barton: Special Agent before going on to launch its iconic Horror series in the mid-fifties with hits including The Curse of Frankenstein, Dracula, and The Mummy. Featuring horror scores by composers James Bernard, Tristram Cary, and Benjamin Frankel, as well as music from Hammer's highly successful comedy films and only space western...

Matthew Sweet presents an edition of music from spy movies, featuring scores from gritty Carré-esque espionage films to James Bond action fantasies.

Matthew Sweet looks back on the film career of William Walton who composed for 13 films between 1934 and 1969 including Escape Me Never; First Of The Few; Went The Day Well and The Battle of Britain;

Matthew Sweet turns his attention to the celebrated Ealing Comedies from 1947-57 and the composers who wrote the music for them, including Georges Auric, Benjamin Frankel, Tristram Cary and Ernest Irving.

Matthew Sweet presents film music inspired by classic novels in the week of the launch of Thomas Vinterberg's new version of Thomas Hardy's Far From the Madding Crowd and interviews Craig Armstrong, the film's composer.

Matthew Sweet presents the second of two programmes looking at music from classic Westerns, including scores by Alfred Newman, Carter Burwell and Jonny Greenwood. Classic score of the week is Elmer Bernstein's "Magnificent Seven".

Matthew Sweet presents the first of two programmes of music from classic and modern Westerns, including scores by Dimitri Tiomkin, Elmer Bernstein and Ennio Morricone. Classic score of the week is Tiomkin's "High Noon"

Patrick Doyle looks back on his film composing career to date with Matthew Sweet, in the week that sees the release of his new score for Disney's Cinderella.

With the release of Russell Crowe's directorial debut in The Water Diviner, Matthew Sweet features some of its music and looks at a selection of film music with an antipodean connection.

Matthew Sweet features film music inspired by the folk tale in the week that sees the UK release of Isao Takahata's acclaimed Studio Ghibli animation The Tale of the Princess Kaguya. The programme also includes music from "The Company of Wolves"; "The Brothers Grimm"; "Blancanieves"; "Belle et la Bete"; "Excalibur"; "King Arthur"and "The Secret of Roan Inish". The Classic Score of the Week is Erich Korngold's "The Adventures of Robin Hood".

Matthew Sweet looks at music specially written for the important growth area of gaming and marks the 10th BAFTA Gaming Awards which were held this week.

Cartoonist Alison Bechdel created an influential means of measuring the significance of the role woman play in film: Does the film contain a conversation between two women about something other than a man?

Long Matthew Sweet is a ed by conductor Robert Ziegler in the second of their two programmes profiling the film music of Jerry Goldsmith - the Classic Score of the Week is modern classic, the 1999 "Star Trek - The Motion Picture".