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Joni Mitchell’s songs have soundtracked our lives and her pioneering work changed music forever. Jesca Hoop explores her extraordinary story to reveal the life behind the legend. In the first episode, we hear how young Joni loves to watch the trains go by from the window of her house in a Saskatchewan prairie town. Even as a child, there is a desire to see what's around the next bend. She's a tomboy and an athlete, until polio forces her into a period of convalescence; she's no longer picked first for sports teams but when she gets the use of her legs back she rock 'n' roll dances her way through her teens. Her childhood ambition is to be a painter, but when she finally makes it to art school everything changes.... “I’ve always been a creature of change” – Joni Mitchell Through archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation. In Legend, we follow Joni from her ‘flatlander’ childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.’s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in 2023: “like seeing, in the wild, a rare bird long feared extinct” (Lindsay Zoladz). Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. Jesca speaks to musicians like Blake Mills, Allison Russell, Holly Laessig and Jess Wolfe, who have played alongside Joni, and we hear tributes from those, like musician John Grant, who have been inspired and influenced by her music. We also hear from friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly. The Joni Mitchell Story comes from the production team behind BBC Radio 4’s award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire). Producers: Mair Bosworth and Eliza Lomas Production Coordinator: Andrew Lewis Editor: Chris Ledgard Story Editor: Emma Harding Story Consultant: John Yorke Sound Design and Original Music: Hannis Brown Studio Engineers: Ilse Lademann and Michael Harrison Commissioning Editor: Daniel Clarke

In a special edition of Mastertapes, guitarist, singer-songwriter and producer, Richard Hawley welcomes John Wilson to the Crucible in his home town of Sheffield. Throughout his 33 (and a third?) year career as a musician (he first recorded a John Peel session at the age of 19, with his band, Treebound Story), Sheffield has always played an influential part in Richard Hawley's song-writing. His 2001 album, Late Night Final, was named after the cry of vendors selling the Sheffield Star evening newspaper on the streets, and all his solo albums since, from Lowedges and Coles Corner to Truelove’s Gutter and Hollow Meadows, immortalized Sheffield landmarks. At the end of a busy year , in which he worked on four film soundtracks, recorded a new album and debuted his first stage musical - "Standing at the Sky’s Edge" at Sheffield’s Crucible Theatre (featuring a mix of his old and new songs), Richard Hawley looks and plays his way back over a 33 (and a third?) year career as a musician (he first recorded a John Peel session at the age of 19, with his band, Treebound Story). Performances include what was the world premier of 'My Little Treasures' from Richard's new album, as well as a version of 'Open Up Your Door' from the stage musical "Standing At The Sky's Edge" sung by Maimuna Memon and accompanied by Will Stewart. Playing with Richard Hawley are Shez Sheridan on guitars, Jon Trier on piano and Clive Mellor on harmonica. Producer: Paul Kobrak

John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Each edition has John initially quizzing the artist about the album in question, and then the audience puts the questions. American Pie by Don McLean Twenty-four year old Don McLean's debut album was rejected by 72 labels before it was released by Mediarts. It was only because that label was taken over by United Artists that his follow-up received the promotion it deserved. His second album contained: a tribute to the 19th-century Dutch painter, which was cited as a personal inspiration by the late rapper Tupac Shakur; a song that was re-recorded 32 years later by George Michael in protest against the Iraq War; and an eight-and-a-half minute single that in 2017 was designated an "aural treasure... worthy of preservation as part of America's patrimony" Don McLean responds to questions from the audience and performs live acoustic versions of some of the tracks on the album.

John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Modern day super-group, DAMON ALBARN, PAUL SIMONON, TONY ALLEN and SIMON TONG talk to John Wilson about their acclaimed debut album "The Good, The Bad & The Queen." Released in 2007, the album brought together Blur's front-man, the bassist from the Clash, the Afrobeat pioneer who was also Fela Kuti's drummer, and former guitarist from the Verve who co-created the Magnetic North. Described by Damon Albarn as "a song cycle that's also a mystery play about London", the record was voted the Best Album of 2007 by the Observer Music Magazine and it includes the singles Herculean, Kingdom of Doom and Green Fields. Damon Albarn, Paul Simonon, Tony Allen and Simon Tong respond to questions from the audience and perform live versions of their follow-up album, 2018's "Merrie Land".

John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Lily Allen talks to John Wilson about her fourth and most personal album, "No Shame" Always conversational in tone and infused with a dark sense of humour, Lily Allen's lyrics never shies away from the personal - and her most recent album, released in July 2018, is no different. Set against dancehall and reggae influences, the album moved away from her usual witty sarcastic songwriting style and opted for a more "candid" approach. With tracks like 'Trigger Bang', 'Lost My Mind', 'Three' and the album title track, she tackles everything from the breakdown of her marriage and her friendships... to maternal guilt, substance abuse and, as if that's not enough, social and political issues. Lily Allen responds to questions from the audience and performs live acoustic versions of some of the tracks on the album.

In a special edition of Mastertapes to celebrate National Album Day, Elvis Costello, the consummate album artist talks to John Wilson and plays his way back through a career that has spanned five decades, premiers exclusive tracks from his new album and takes questions from the audience. From his critically acclaimed debut album, My Aim Is True, released in 1977 to his newly released Look Now, his first new album in five years, Elvis Costello has been widely recognised as one of Britain's best songwriters. From early classics like Watching The Detectives, Accidents Will Happen, and Almost Blue, all the way through to Jimmie Standing In The Rain, Unwanted Number and Under Lime his talent for wordplay has remained undimmed. He remains a composer who works across a range of styles, always mining a deep, rich seam of melodic and harmonic treasures - all of which is on display in these programmes recorded in the iconic BBC studios at Maida Vale. Accompanying him is his career-long collaborator, pianist Steve Nieve.

John Wilson concludes the seventh series of Mastertapes, the programme in which he talks to leading artists about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios, each edition includes John initially quizzing the artist about the album in question, and then, the audience asks the questions. Both editions feature exclusive live performances. Cult singer-songwriter and artist Benjamin Clementine talks to John Wilson about his 2015 Mercury Prize-winning album At Least for Now. Self-taught, and inspired by a range of music from Antony & the Johnsons to Erik Satie, Benjamin emigrated from London to Paris in 2009 at the age of 19. His career was launched after being discovered while busking in the Paris metro, singing covers of James Brown and Bob Marley. At Least for Now is a dramatic album of poetic ballads that prompted comparisons to Nina Simone and gained critical acclaim for its swooping melodies and the arresting lyricism of singles such as "London" and "Cornerstone". Producer: Paul Kobrak

Jimmy Webb talks to John Wilson about his song writing career

John Wilson continues with another recording for the series in which leading artists discuss the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios, each edition includes two episodes, with John initially quizzing the artist about the album in question, and then, in the B-side, the audience asks the questions. Both editions feature exclusive live performances. Singer-songwriter David Gray talks to John Wilson about the album that catapulted him to fame in 2001; White Ladder. Featuring the hits Babylon, This Year's Love and Sail Away, the album became one of the longest-charting in UK chart history, spending almost three consecutive years in the UK top 100, and won Gray an Ivor Novello Award for the single Babylon. To date, David Gray has sold 12 million albums worldwide, received a BAFTA nomination, two Ivor Novello Awards, a Q award, two Brit nominations and a Grammy nomination. Having discussed the making of White Ladder, David Gray responds to questions from the audience and performs acoustic live versions of some of his best-loved tracks. Producer: Edwina Pitman

John Wilson returns with another edition of Mastertapes the programme in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Each edition includes two episodes, with John initially quizzing the artist about the album in question, and then, in the B-side, the audience puts the questions. Scottish singer-songwriter Emeli Sandé takes us back to her debut album "Our Version of Events", the UK’s biggest selling record of 2012 which spent more consecutive weeks in the British charts than any other debut album, breaking a record held for 50 years by The Beatles. Featuring the singles Next To Me, Heaven, Clown and Read all About It, the album made her a household name and she was the only artist to perform at both the opening and closing ceremonies of the London Olympics. Our Version of Events went on to win the BRIT Award for Album of the Year and Emeli was named Best British Female Artist. Emeli Sandé responds to questions from the audience and performs acoustic live versions of some of the tracks from the album. Complete versions of the songs performed in the programme can be heard on the Mastertapes pages on the Radio 4 website. Producer: Edwina Pitman

With six Grammys, three Emmys and two Oscars (from 20 Academy Award nominations) - to say nothing of his own star on the Hollywood Walk of Fame and hip of both the Songwriters and the Rock & Roll Halls of Fame - means that Randy Newman has one of the most crowded mantelpieces in the world of popular entertainment. In this special edition of MASTERTAPES the legendary singer-songwriter and composer talks to John Wilson about 'Sail Away' – the album that Rolling Stone magazine described as “a work of genius” when it was released forty-five years ago. Already with a good dozen years under his belt as a professional song writer (he was only 28 years old when this album was released), with 'Sail Away' we see an artist able to combine biting wit, novelistic complexity and a deep understanding of the contradictions of the American psyche with sumptuous melodies and restrained arrangements. Nowhere more so than with 'Lonely At The Top’ (originally written with Frank Sinatra in mind), ‘You Can Leave Your Hat On’ (later recorded by Tom Jones for The Full Monty), ‘God’s Song (That’s Why I Love Mankind)’ and the austere title track that kicks off the album. MASTERTAPES is recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Each edition includes two parts, with John Wilson initially quizzing the artist about their career defining album, and then, in the B-side, the audience puts some of the questions. Both feature exclusive live performances. Producer: Paul Kobrak

John Wilson continues with the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. The legendary TOM JONES talks to John Wilson about `Praise and Blame' - the first of a trilogy of albums that would take him back to his musical roots. Described as a musical "shape shifter" who could "slide from soulful rasp to pop croon, with a voice as husky as it was pretty" (The New York Times), Tom Jones' career has spanned six decades, selling over 100 million records. In 2010, he released an album of largely unknown gospel covers, including Sister Rosetta Tharpe's Strange Things, Pop Staples' Don't Knock and John Lee Hooker's Burning Hell. The album's stripped-down, live production (by Ethan Johns) led one critic to declare "at last Jones the artist is the match of Jones the entertainer" (The Guardian). Tom Jones discusses the making of `Praise and Blame', responds to questions from the audience and performs acoustic live versions of some of the tracks from the album.

John Wilson continues with the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. CRAIG DAVID talks and plays his way back to 2000 and his debut album, "Born To Do It", which went on to sell 8 million copies world-wide. Recorded and released when Craig David was only 18 years old, the album includes the hits, Fill Me In, Walking Away, Rendezvous and 7 Days. Described as a '2-step garage' and R&B album, Born To Do It draws heavily on electro beats, garage and hip hop. It became (and remains) the fastest-selling debut studio album ever by a British male solo act. Sixteen years later, a more mature Craig David released his 6th studio album, Following My Intuition, which followed in the footsteps of his debut and became his second record to debut at Number 1. Craig David talks to John Wilson, responds to questions from the audience and performs acoustic live versions of some to the tracks from his first No 1 album and the second which was a further 16 years in the waiting.

John Wilson returns with another edition of Mastertapes, the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. "Love, Death and the Lady" with Shirley Collins. Released in 1970 on the Harvest label (also home to Deep Purple, Kevin Ayers and Pink Floyd), Love Death & the Lady exuded a darkness that reflected Shirley's own personal loneliness at the time. With tracks like The Outlandish Knight, The Oxford Girl and Geordie, the album revolves around the themes of murder, class conflict and betrayal. Shirley Collins began the 1970s releasing what is now regarded by many as one of her finest albums... and she ended the decade by losing her singing voice through dysphonia. Yet she remains revered today by the likes of Graham Coxon, Billy Bragg, Stewart Lee, Jonny Greenwood and Angel Olsen. Shirley Collins responds to questions from the audience and performs acoustic live versions of songs from her new album, the first she has released in 38 years.

John Wilson returns with another edition of Mastertapes, in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios, with John initially quizzing the artist about the album in question, and then the audience puts the questions. Graham Nash has twice been inducted into the Rock and Roll Hall of fame - once with The Hollies and then with Crosby, Stills and Nash. In May 1971 he released Songs For Beginners as a solo project (it was one of four solo albums released by each member of Crosby, Stills, Nash and Young in the wake of their hit album Deja Vu). Made directly following his breakup with Joni Mitchell, many of the songs are about their time together. But it's an album that also reflects his political activism and so the confessional "Simple Man" and wistful "Better Days" sit alongside the still prescient "Military Madness" and the heartfelt "Chicago". He also performs acoustic live versions of some to the tracks from his new album, which reflects back on a songwriting career that has (so far) spanned more than five decades.

John Wilson returns with another edition of Mastertapes, the programme in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios, with John initially quizzing the artist about the album in question, and then the audience puts the questions. This time John talks to Laura Marling about her 2013 album 'Once I was An Eagle.' Laura Marling was only 18 when she released her first album... only 21 one when she won the Brit Award for the Best British Female solo Artist... and only 23 when she released the album described as "a masterpiece, and... she's still only getting started" (The Daily Telegraph). Produced by Ethan Johns, Once I Was An Eagle included tracks like Master Hunter, Where Can I Go? and Saved These Words, deemed to be "her most lyrically mature work... also the most musically satisfying" (The Independent). On the strength of this album she's been referred to as one of the "greatest singer-songwriters of both her generation and generations before it" (Clash Magazine). Complete versions of the songs performed in the programme (and others) can be heard on the 'Mastertapes' pages on the Radio 4 website, where the programmes can also be ed and other musical goodies accessed.

On the eve of the sixth series of Mastertapes (which features the likes of Laura Marling, Graham Nash and Shirley Collins) there is another chance to hear the Mastertapes special, in which Paul McCartney s John Wilson. Recorded in the iconic BBC Maida Vale studios, they discuss songwriting, Paul's solo career in the years immediately after The Beatles, his recent collaborations with Kanye West, and working with the likes of George Martin, Stevie Wonder, Michael Jackson and - obviously - John Lennon. He also takes questions from an audience that includes Paul Weller, Noel Gallagher and Brad Pitt. Producer Paul Kobrak.

The final programme in the fifth series of Mastertapes, in which John Wilson talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Programme 12 (B-side): Having discussed the recording of Antonio Vivaldi's 'The Four Seasons' (in the A-side of the programme, broadcast on Monday 25th January and available online), Nigel Kennedy responds to questions from the audience and performs exclusive excerpts from his classical and jazz repertoire. Producers: Paul Kobrak and John Goudie.

John Wilson concludes the current series of the programme where he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Programme 11. Antonio Vivaldi's 'The Four Seasons' with Nigel Kennedy. Having trained at both the Yehudi Menuhin School of Music and the Juilliard School in New York, Nigel Kennedy has developed into one of the most popular classical musicians of his generation. This in no small part is due to the phenomenal success of his recording of The Four Seasons in 1989. At the time he explained that he set out to use "every kind of technique I know" to communicate his feeling for the music to his listeners. Kennedy's ion for non-classical music has seen him play alongside The Who and Kate Bush, record violin-based versions of songs by The Doors and Jimi Hendrix, and release an album for the jazz label Blue Note Sessions. However, The Four Seasons retains a special place in his repertoire, and in 2015 he released a completely fresh take on Vivaldi's violin concertos. In front of an audience at the BBC Studios in Maida Vale, Nigel Kennedy talks about the album that earned a place in the Guinness Book of Records as the best-selling classical work of all time, and performs exclusive excerpts from the concertos that helped make him famous. Producers: Paul Kobrak.

John Wilson continues with his fifth series of Mastertapes, in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Programme 10 (B-side): Having discussed the making of 'Hedonism' (in the A-side of the programme, broadcast on Monday 18th January and available online), Bellowhead respond to questions from the audience and performs exclusive live acoustic versions of some to the key tracks from the album. Producer: Paul Kobrak.