::: OHRENGALA #09 ::: ANDRÉ VIDA | TBC (Thomas Beck) | BENJAMIN L. AMAN ::: 29.04.2012 ::: 1hx5c

29/04/2012

OHRENGALA Bei Roy e.V.| BERLIN Ziegrastr. 11 12057 Berlin Doors open 21:00 |...

OHRENGALA Bei Roy e.V.| BERLIN Ziegrastr. 11 12057 Berlin Doors open 21:00 | Concert start sharp 22:00 Bei Roy is not the typical venue only for experimental music. It’s a chance to offer interested people this form of music in a hopefully good way. Audition Records s these series as promoters and associated curators. PROGRAMME 29.04.2012 | OHRENGALA #09 ANDRE VIDA | tbc (HH) | BENJAMIN L. AMAN (All images are copyrighted by their respective copyright owners) ANDRE VIDA Andre Vida (b.1974) is a Hungarian American saxophonist, composer and lyricist living in Berlin. Vida has been at the forefront of several major developments in experimental music, including his hip in Anthony Braxton’s original Ghost Trance Ensemble, his recent world record of 403 half hour performances at the Serpentine Gallery responding to Anri Sala’s film Long Sorrow, performances with The Tower Recordings, and his extensive collaborations with electronic music visionaries Jamie Lidell, Tim Exile, Kevin Blechdom, and Rashad Becker. Vida has developed a series of philosophical approaches to improvisation using restrictive costumes, animated graphics based score installations, and self made instruments. His solo saxophone pieces are the culmination of this focused improvisational thought, combining the theatrical aspects of his body, instrument, and voice. For his Ohrengala performance Vida will extend his experiments with physical restriction by integrating a simple touch composition idea in collaboration with Letizia Monae. Recently he presented ‘Brud: Volumes I-III’ (PAN 20), a three volume compilation of recordings from 1995 to 2011 now available at PAN label, morphing seamlessly between a sense of total irreverence and the sublime. tbc (HH) “tbc is Thomas Beck (ex-H64), operator of the Hamburg based Wachsender Prozess label and long-established sound artist, known from several solo releases, “mail music projects” and collaborations with Brume, Asmus Tietchens, Das Synthetische Mischgewebe, etc, during the past 15+ years.” tbc started in the early 80’s to make his own sound as H 6 4. Franz de Waard of Vital called his music as some of the hardest music in Europe. Activities in the Cassettemusicscene with two Labels (DDT-Tapes and EX) and also in the so called Mailart Network. Running “Wachsender Prozess” with smartman Stickel: for noise culture based sounds. Together with Günter Reznicek (Nova Huta) und Felix Knoth (Felix Kubin, Klangkrieg) they publish the magazine (Odradek) about Electroacoustic and Electronic Music. About his music: “a methodical landscape constructed via fieldrecordings (no input mixer), composed elements and a consequent forms of creating noise walls with different inner structured fine tones. “ For Ohrengala, Tbc will offer a surrealistic, electro-acoustic harsh noise piece. It ranges from the disharmonic to the harmonics of spiritual high level to the idiotic machine music, in which the machine is a symbol of godlike perfection.” BENJAMIN L. AMAN A french sound & visual artist born in Rouen. Through different medias : drawings, installations, recordings, writings, actions, Aman’s work finds its place in between different levels of perception, combining a physical, a mental and an emotional approach. As a sound performer Aman uses analog electronics, tape works, lights, space, actions, and static compositions, considering the live situation as a blank sheet of paper. For Ohrengala, Aman will show a new piece called AG 30-320, a work exploring space by using action and confrontation as a princip of resistance. AG 30-320 intends to define limits between different states of consciousness and psychogeographical disorders, using sound as a princip of gravity.  [ RAZZLE DAZZLE ] Benjamin L. Aman on Audition ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 17:40 min READ MORE | AUDITION RECORDS | OHRENGALA :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

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